Directed by Agnès Varda. With Corinne Marchand, Antoine Bourseiller, Dominique Davray, Dorothée Blanck. Cleo, a singer and hypochondriac, becomes increasingly worried that she might have cancer while awaiting test results from her doctor.
Cleo from 5 to 7 represents a beautifully filmed highlight of the French New Wave that encapsulates the appeal of the era while departing from its narrative conventions. 96% Aug 26, 2012 · In France, the afternoon hours from five to seven are known as the hours when lovers meet. On this afternoon, nothing could be further from Cleo's mind than sex. She is counting out the minutes until she learns the results from tests she believes will tell her she is dying from cancer. Agnes Varda's "Cleo from 5 to 7" is 90 minutes long, but its clock seems to tick along with Cleo's. Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer (Corinne Marchand) set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand (The Umbrellas of Cherbourg) and cameos by Jean-Luc Godard and May 16, 2000 · Clearly presenting Cleo's life story through a series of antiquated images, this color sequence adds a strong dramatic contrast to the film's black and white imagery. All in all, Criterion's Cleo From 5 to 7 is a sharp presentation of a timeless classic. --Rob Bracco
Cléo from 5 to 7 is remarkable on many fronts. Technically Varda has great energy and joy, playfully dashing the camera from one character to the next, timing the turn in a conversation from light to morbid as a car turns into a darkened tunnel, jump cutting to say “look-look-look again.”
Her works can be explored and analysed from different angles, but fashion-wise, "Cléo from 5 to 7" (1962) remains her most stylish film. A real-time experimental movie analysing a series of existentialist themes, "Cléo from 5 to 7" follows the protagonist, a popular singer, during two hours in her life, while she waits to get the results of a
A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand (The Umbrellas of Cherbourg) and cameos by Jean-Luc Godard and the late Anna Karina.
Apr 29, 2010 · Agnès Varda's Cleo from 5 to 7. Photograph: Ronald Grant Archive T he rerelease of Agnès Varda's 1961 classic underscores its claim to be a pioneering glory of the new wave. Agnes Varda’s Cléo from 5 to 7, the first fully-achieved feature by the woman who would become the premiere female director of her generation, dazzled when it opened, and looks even more timely today in its tackling of the fashionable subject of female identity as a function of how women see and are seen by the world. Its appearance in 1962 signaled Varda’s participation in the collective Cléo from 5 to 7 is 90 minutes long, and it really is in realtime. The first time I saw it, I imagined that the two hours had been compressed. But in fact, the film ends at 6:30, and the time in the chapter headings really does match the time elapsed in the film. Cleo from 5 to 7 An early sequence clearly marks Cleo from 5 to 7 as an artifact of the French New Wave: as Cleo (Corinne Marchand) walks down a staircase, the action is captured in a series of jump cuts that call attention to form in an exciting and then-new way. Looking to watch Cleo from 5 to 7? Find out where Cleo from 5 to 7 is streaming, if Cleo from 5 to 7 is on Netflix, and get news and updates, on Decider.